Yet, as I will argue in this essay, maternal subjectivity is not erased from the novel. The maternal voice comes back to disrupt the narrative: ironic and assertive, the mother acquires agency in the plot, and gains the status of protagonist in the tale.
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Although, at the beginning of Benzina, a matricide has already taken place, the mother is doubly present in the narrative: as an object--the corpse of which Gazing women: Elena Stancanelli's Benzina. Author: Claudia Pompei Karagoz.
- Document - Gazing women: Elena Stancanelli's Benzina
Date: Sept. From: Italica Vol. Publisher: American Association of Teachers of Italian.
Document Type: Critical essay. Length: 11, words.
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